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    Objects of Desire: Design and Society Since 1750 - 图书

    导演:Adrian Forty
    Objects of Desire looks at the appearance of consumer goods in the 200 years since the introduction of mechanized production, whether in Josiah Wedgewood's use of neo-classicism for his industrially manufactured pottery or the development of appropriate forms for wirelesses. The argument is illustrated with examples ranging from penknives to computers and from sewing machines t...(展开全部)
    Objects of Desire: Design and Society Since 1750
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    Objects of Desire: Design and Society, 1750-1980 - 图书

    1986
    导演:Adrian Forty
    阿德里安•福蒂,伦敦大学巴特雷特建筑学院的建筑史教授,2003年获米沙•布莱克爵士创新设计教育奖。主要兴趣是社会和文化环境中建筑设计的作用。著作还包括:《语言与建筑:现代建筑的词汇》(1986)、《巴西的现代建筑》(合著,2004)、《混凝土与文化:材料的历史》(2012)等。
    Objects of Desire: Design and Society, 1750-1980
    搜索《Objects of Desire: Design and Society, 1750-1980》
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    Objects of Desire - 图书

    导演:Adrian Forty
    阿德里安•福蒂,伦敦大学巴特雷特建筑学院的建筑史教授,2003年获米沙•布莱克爵士创新设计教育奖。主要兴趣是社会和文化环境中建筑设计的作用。著作还包括:《语言与建筑:现代建筑的词汇》(1986)、《巴西的现代建筑》(合著,2004)、《混凝土与文化:材料的历史》(2012)等。
    Objects of Desire
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    The Medieval Art of Love: Objects and Subjects of Desire - 图书

    1999
    导演:Michael Camille
    迈克尔・卡米尔(Michael Camille,1958-2002),芝加哥大学艺术史教授,于剑桥大学获得博士学位,其后一直在芝加哥大学任教。他是中世纪艺术研究方面的权威,其主要著作有《中世纪的偶像:中世纪艺术中的意识形态和造像》、《边缘上的肖像:中世纪艺术的起源》、《逝去的大师:皮埃尔・雷米特的无生命的艺术》、《饰画人》、《中世纪艺术:幻想与中世纪的启示录》。 译者简介: 刘日明,男,1968年生,江西遂川人。1992年9月考入华东师范大学哲学系,1995年6月获哲学硕士学位;2000年9月考入复旦大学哲学系,2003年6月获哲学博士学位。现为同济大学哲学与社会学系副教授、当代马克思主义哲学研究所副所长、外国哲学专业硕士生导师。主要研究领域为西方政治学与法哲学、西方马克思主义。在《学术季刊》、《人文杂志》、《天津社会科学》、《学术研究》等杂志发表论...(展开全部)
    The Medieval Art of Love: Objects and Subjects of Desire
    搜索《The Medieval Art of Love: Objects and Subjects of Desire》
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    The Medieval Art of Love: Objects and Subjects of Desire - 图书

    1998
    导演:Michael CAMILLE
    Editorial Reviews From Library Journal The representation of love in medieval decorations, paintings, and drawings offers an intriguing glimpse into the society and philosophy of that time. Interpreting these depictions as having a specific purpose?to inspire love or eroticism?Camille (art history, Univ. of Chicago) explores what, according to the period, love meant for the med...(展开全部)
    The Medieval Art of Love: Objects and Subjects of Desire
    搜索《The Medieval Art of Love: Objects and Subjects of Desire》
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    Restless Empire: China and the World Since 1750 - 图书

    导演:Odd Arne Westad
    As the twenty-first century dawns, China stands at a crossroads. The largest and most populous country on earth and currently the world’s second biggest economy, China has recently reclaimed its historic place at the center of global affairs after decades of internal chaos and disastrous foreign relations. But even as China tentatively reengages with the outside world, the cont...(展开全部)
    Restless Empire: China and the World Since 1750
    搜索《Restless Empire: China and the World Since 1750》
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    Restless Empire: China and the World Since 1750 - 图书

    导演:Odd Arne Westad
    文安立(Odd Arne Westad),出生于挪威,主要研究冷战和当代东亚历史,美国哈佛大学肯尼迪学院教授、中国问题专家。 教授世界史。著作包括《剑桥冷战史》《全球冷战》《不安的帝国》等。
    Restless Empire: China and the World Since 1750
    搜索《Restless Empire: China and the World Since 1750》
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    Restless Empire: China and the World Since 1750 - 图书

    导演:Odd Arne Westad
    文安立(Odd Arne Westad),出生于挪威,主要研究冷战和当代东亚历史,美国哈佛大学肯尼迪学院教授、中国问题专家。 教授世界史。著作包括《剑桥冷战史》《全球冷战》《不安的帝国》等。
    Restless Empire: China and the World Since 1750
    搜索《Restless Empire: China and the World Since 1750》
    图书

    Restless Empire: China and the World Since 1750 - 图书

    导演:Odd Arne Westad
    文安立(Odd Arne Westad),出生于挪威,主要研究冷战和当代东亚历史,美国哈佛大学肯尼迪学院教授、中国问题专家。 教授世界史。著作包括《剑桥冷战史》《全球冷战》《不安的帝国》等。
    Restless Empire: China and the World Since 1750
    搜索《Restless Empire: China and the World Since 1750》
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    Design Since 1945 - 图书

    导演:Peter Dormer
    "Designing" has come of age since World War II. The essential shape, form and structure of some objects in our daily lives may have been fixed many generations ago, but design and designers have now been moved centre stage by the varied demands of a society that in less than half a century has gone from the restless search for the new throw-away consumerism to a postmodernist r...(展开全部)
    Design Since 1945
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